“Still, here we are, inside two LPs, with what we have called four approaches, four sides of vinyl, four voices, a string quartet, four times three, the twelve meridians, sometimes called postnatal or acquired or tidal; four times two, the eight meridians named extraordinary or congenital; the two of us, in what David Bohm has called the explicate and implicate orders; … Four approaches, four sides of vinyl.

Approaches will refer to process, play, passage, part, piece. Compositionally, musically, maybe a little different from the traditional word “movement” pointing to a tempo, andante, largo, presto, since we’re not doing symphony. Maybe it’s closer to a suite in the sense that it was conceived as a sequence, first side before the third (on our previous recordings the order would not have been that orderly). The sides are definitely related, linked, the lines run through, but more in the sense of four possibilities out of a manifold: when we went into the studio, we had no idea, no grip on, what we would end up with (if anything).”